WRITER FOR OTHERS

April 7, 2014

Pertinent to my application for a travel grant with the Harong kan Literaturang Bikolnon (Naga City-LGU) as per my Dumaguete fellowship (for poetry), I was asked to prepare a letter showing the benefits that the Nagueno would get from my travel. In this regard, I started to look into myself. What have I done for my people? Am I just a writer for myself? An ego writer who has self- aggrandizement as primordial motivation? I had to ask myself these questions and introspect.

Looking back–I do remember that 2003 was my homing year. It was the year that I started to feel like going home. I was determined to further my academic life in this locality, find work here and perhaps start a family–and of course, practice literary arts here. I wanted to start a writing group, a critique group to be exact. At that time, I was already a LIRA member and had attended the Ateneo and UST National Writers Workshops. I wanted to look back though, to dream the dreams of my youth. I thought that Bicol itself is already a rich material. I can make it here, and in Manila, and in the world literary arena as well. No need to locate myself in the Center.

But before taking any more steps, I figured if there was already an existing writing group here in Bicol. And there was. The late Rudy Alano was then the ring leader for Kabulig-Bikol. I joined them.

But Kabulig-Bikol was taking too much time. I wanted the group to have more fire.

I continued to associate with them through. Writing is a lonely vocation, and they were good beer buddies. But I persisted in attending national workshops, sending my works to publications and joining some contests. Technically, I was on my own. But I found real good company in Tomas Navarro, a fellow Atenean who was as good as a strategist as a prose writer. I also loved the company of the ABKAT people from Tabaco, Albay for they were so project oriented. They could get things done.

But deep inside, what I really wanted was to do research on Bikol poetics and write a book about it. I also wanted to share my poetics to young Bikol writers. Hence I organized the Tarusan Bloc and I gave free lectures and workshops. Thanks to my teachers Rio Alma, Cirilo Bautista, Ricardo Lee, Marjorie Evasco, and Cyril Conde, I had a firm ground when it comes to comparative literature. And so I did my thing–monthly poetry critique sessions.

But it wasn’t enough for me. Bikol poetics dictates that poetry is drama–is theater, is performance! I wanted to go out and make Naga City a city of literature by organizing poetry gigs from time to time. Said gigs would be open to the public, and for the benefit of the public. Poetry in public places–this was my battle cry and it still is.

Now I realized that I have published three articles regarding these gigs. Let me post their pictures here.

Image

 

This appears in the August 1, 2012 issue of The Daily Tribune. And it is about the Writers Gig and VerSosimo projects. Now I was not able to take a photo of my article “Not Your Usual Writers Trip” which was also published in the same newspaper on January 3, 2013. But as you all know, I took a picture and posted my article ” Come as You Are: Naga City’s Poetry Reading Culture” which appeared in the April 7, 2014 issue of the Philippines Graphic.

Well, man. If you want to be a writer for others. Organize occasional poetry gigs in your locality. Do it for the people. They deserve more than what popular culture offers them.

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