December 3, 2013
I am happy to be revising my old Tagalog poems. It is like going back to my younger self. Since I have matured in more ways than one, I find them wanting of revision. My teacher Cirilo Bautista would say: “Make sure that they are the best you have written.”
He was talking about my next book, a collection of poems. I have to admit that this second title has long been delayed. Well, we cannot live as a dreamer all day. We have to make a living too. But while existing in the pragmatic plane, I struggled to still come up with poems and get them published. I even organized poetry gigs. I even won some poetry prizes. I cannot ask for more. Now let me post a picture of a Tagalog poem I published in Sunday Times Magazine. This one won in the Talaang Ginto 2012, a poetry contest sponsored by the Philippine government via its Komisyon sa Wikang Filipino (KWF).
But then my guitars. I just cannot live without them. And I am just so passionate about guitar picks. I love collecting guitar picks! I collect them like stamps. Here’s some addition to my pick arsenal.
There you go. Until next time my friends.
December 2, 2013
As said earlier, it’s always fun to be with like-minded writers from time to time. One must be happy simply by knowing that people are listening. You don’t need a full-packed bar. You only need a group of five or six, so long as everybody is interested. So with the help of Santiago Villafania and Raul Funilas, I organized Multiverse/Multitongue: Poetry, Music, Art. It was held last November 6, 2013 at Tata Raul’s gallery in Antipolo here in the Philippines.
Also in attendance were Gregorio Bituin, Glen Sales, Danilo Diaz, Sergio Aragones and Lt. Gegoria Reyes. We had a grand time just reading our poems to each other after we looked at Raul Funilas’ sculptures on display. We also had food and beverage. Potluck!
Too bad Yolanda happened right after. Our poems could not have stopped such bitch of a storm, but at least, we had a grand time before it. At the end of the day, it’s all about having meaningful time. We are only here today. So here’s some video clips of the event. I hope that you will enjoy it.
Until next time my friends.
December 1, 2013
Been watching great movies, mostly about poems and poets. Have to catch up. My real purpose is to know how writers used to live during the earlier days. I figured that most of them simply focused on their families and their art. They would gather with a few like-minded writers, but as I said, with only a few. This is understandable. Real writing life is solitary. Even the data-gathering part is in essence solitary. Writers would investigate life as a spectator. Sometimes he would participate, but still, he works as a spectator. He maintains a distance. Lest he be overly absorbed and lose his objectivity.
It’s inspiring to watch these movies. I hope to write about them soon. So far, I am busy working on my poems. I have been busy doing other things these past months. It’s time to catch up.
By the way, it’s December 1. Merry Christmas!
Now let me post here a picture of one of my favorite poems that got printed in Sunday Times Magazine. It’s entitled “Cram Session.”
November 30, 2013
January 6, 2013
Yesterday, I got an SMS from writer-friend Bebang Siy, the famed author of It’s a Mens World. She told me that she will be sending me an E-mail. She didn’t really tell me what the E-mail was all about. And when she did send it, she even left the subject line blank. Surprise, surprise! It turned out to be a “chain letter for writers” where the recipient has to answer ten questions about his or her latest or upcoming book. It’s really a way for the writers to promote their book projects.
1. What is the title of your latest/upcoming book?
My latest book is “Pagsasatubuanan: Poetikang Bikolnon,” a work of literary criticism on Bikol poetics. The working title of my next book project is “The Jason Case”. It will be a collection of my poems in English, Filipino, Bikol-Naga and Iriganon.
2. Where did the idea come from for the book?
I studied Tagalog poetics under Rio Alma. And when I attended the Iyas and Iligan National Writer’s Workshops, the elder writers in Visayas and Mindanao were also thinking of writing about their poetics. I figured that at the time there was yet no work of literary criticism covering the poetics of a regional language. So I thought that I better do research on Bikol poetics. It took me four years to finish “Pagsasatubuanan”.
The idea for “The Jason Case” came from a poem of the same title. I thought it could capture my case: A writer who writes in English, Filipino, Bikol-Naga and Iriganon.
3. What genre does your book fall under?
“Pagsasatubuanan” is under literary criticism. “The Jason Case” is poetry, tula and rawitdawit.
4. What actors would you choose to play the part of your characters in a movie rendition?
People in a typical Bikolnon community. “Pagsasatubanan” posits that the rawitdawit has a dramatic element, specially the tigsik.
The Fire n Ice Dancers could play-dance “Hagbayon,” one of my poems in Filipino. In fact we already have such performance. Baron Geisler could play the poem “The Jason Case”. It would suit him just fine.
5) What is the one-sentence synopsis of your upcoming book?
“The Jason Case” captures multimedia poetry from the vantage point of a Bikol writer–orag, dexterity and all.
6) Who published your latest book? Who will publish the next one?
“Pagsasatubuanan” is published by the National Commission for Culture and the Arts (NCCA). “The Jason Case” will be published by Ateneo de Naga University Press perhaps? DLSU Press? UST Press? We don’t know yet.
7) How long will it take you to write the first draft of the manuscript?
Around one month. It won’t take that much time. I have already gathered most of my poems.
8) What other books would you compare this story (project) to within your genre?
Hmmm… There was this book once with a CD accompanying it.
9) Who or what inspired you to write this book?
The people around me. Daily experiences. But the project as it is–it’s inspired by the WG, our regular poetry gig here in Bicol.
10) What else about the book that might pique the reader’s interest?
It will be sulit. Will use all of my “powers” here as a writer, performer and musician.
So there you go. Thanks to Ms. Bebang Siy for including me in the chain. You could check her work here.
Also, by next week or earlier, you could check the answers to the same questions by the following writers:
December 26, 2012
This is another year-ender essay. So, WTF happened this year anyway?
Well for sure, I am still in this country. I am still in Bicol even if there are more reasons to consider leaving. I need not enumerate them for it will surely spoil our New Year’s celebration. But this coming year, I am getting closer and closer to a Bachelor of Laws diploma. Never thought I would get this far, to think that I tend to be on the creative rather than the legalistic side. I have to admit that studying the law made me more humble and mature. It helped me to think straight and precise, using objectivity rather than ego and niceties. It inculcated in me an almost monastic reading lifestyle. Thanks to my “killjoy” law professors.
My legal internship with SALIGAN-Bikol had its peak last summer during the immersion program. We had to go and live with our clientele, the marginalized and the oppressed—particularly the peasant-folk. I got exposed to their plight and problems, and the state of the land reform program in the country. Even wrote an article about the experience which I printed in this blog and the Bicol Mail (The Social Function Doctrine, June 8, 2012). I still drop by the Banasi farm to visit my host family from time to time. I might continue to do so if work does not bring me farther away.
I revived the T-Bloc Workshop late this year, and named it Tarusan Bloc Poetry Class. We have had two sessions so far. It’s a way for me to share with like-minded Bicol-based young writers what I know about poetics. Things I learned along the way: From oral prose and poetic traditions and from writers’ workshops. We are using my book “Pagsasatubuanan: Poetikang Bikolnon” as main source. Our vantage point therefore in learning various aesthetics is Bikol poetics. The workshop is for free and is held every month usually in my apartment. It’s a chance for me to interact with young writers, know their problems and issues, to be a friend to them. I also learn a lot from during the exchanges.
I also noticed that there are various writing groups here in Bicol. There’s the Kabulig-Bikol which is currently doing some revival efforts after being silent for quite some time. The Tabaco-based ABKAT is still so active, holding the Albay Writing Workshop every summer plus other arts event. There is the campus-based Ateneo Literary Association (ALA), and of course the Tilad group. I just hope that said groups would continue to thrive and be more project-oriented. It would also be wise for them to adopt an attitude of non-exclusiveness. New talents must be nurtured and welcomed. Failure to do this would spell doomsday for any group. But of course different groups and factions are very much normal, and even healthy for any literary arts culture. It’s always fun to have different groups who are adverse to each other, each following a literary school of thought. It ensures competition and quality production.
And of course, the publications. Let me again list my printed works this year, just so we have it on record:
1. After “100” (Poetry, Philippines Graphic, May 7, 2012)
2. And Home is Not What I Find Each Christmas (Poetry, FEU English and Literature Journal, Volume 5)
3. Ang Hula (Tula, Paper Monster Press, Asuang Issue, August 2012)
4. Fiat Lux (Poetry, The Sunday Times Magazine, April 8, 2012)
5. Fiat Lux (Poetry, FEU English and Lit Journal, Volume 5)
6. Getting Paid (Poetry, The Sunday Times Magazine, April 8, 2012)
7. Hagbayon (Tula, Talaang Ginto Anthology, Winning Works 2007-2010)
8. I Love You But We Have No Divorce Law Here (Poetry, The Sunday Times Magazine, March 11, 2012)
9. Not Your Usual Writer’s Trip (Essay, Bicol Mail, December 20, 2012)
10. Opera (Rawitdawit, Ani 37, November 29, 2012)
11. Opera (Tula, Ani 37, November 29, 2012)
12. Pagsilung (Rawitdawit, Ani 37, November 29, 2012)
13. Panonood (Tula, Ani 37, November 29, 2012)
14. Passing by Baao (Poetry, The Sunday Times Magazine, March 11, 2012)
15. Passing by Baao (Poetry, FEU English and Lit Journal, Volume 5)
16. Some Beer and Planet Niburu (Poetry, The Sunday Times Magazine, April 8, 2012)
17. Supermaids (Tula, Talaang Ginto Anthology, Winning Works 2007-2010)
18. The Price of (Dis)Trust (Poetry, Philippine Panorama, March 25, 2012)
19. The Reunion (Poetry, FEU English and Lit Journal, Volume 5)
20. The Social Function Doctrine (Essay, Bicol Mail, June 8, 2012)
21. The Walk (Poetry, The Sunday Times Magazine, April 8, 2012)
22. The Walk (Poetry, FEU English and Lit Journal, Volume 5)
23. This is a Dream (Poetry, The Sunday Times Magazine, October 28, 2012)
24. Uniberso (Tula, Talaang Ginto Anthology, Winning Works 1999-2006)
25. Versosimo: Where the Word Binds Them All (Essay, Bicol Mail, April 26, 2012)
26. Versosimo: Where the Word Binds Them All (Essay, The Daily Tribune, August 1, 2012)
27. Wanting to Write a Poem (Poetry, Philippines Graphic, May 7, 2012)
I also discovered just this year that the poems “Opera” and “Pagtatanghal” were printed in the Philippines Graphic on March 12, 2007. And that my essay “The Bikol Berso and Balagtasismo” appeared in the Volume 1 Number 1 2008 issue of the Mabini Review, the philosophical journal of the Polytechnic University of the Philippines. I hope to get complimentary copies soon.
I think that a writer must publish or perish. Hence my propensity for continually sending works to various publications. Still there is dearth of literary outlets in this country. The Sunday Inquirer Magazine still has not revived its poetry section. Good thing that we still have The Sunday Times Magazine as edited by Elmer Ordoňez. The literary section of Philippines Graphic is still there as edited by Alma Anonas-Carpio. And for writers in Filipino and Tagalog, we still have Liwayway.
Winning awards is the least of my priorities of course. I see it as mere icing on the cake, a mere stroke of luck or accident. But it is a duty of every writer to join contests if he has the proper material. And this year, I still got lucky and got an ego-boost by winning prizes. My poem in Tagalog/Filipino “Sa Naninibago” managed to win Karangalang-Banggit (Honorable Mention) in the prestigious Talaang Ginto contest sponsored by the Philippine government via Komisyon sa Wikang Filipino (KWF), a Constitutionally mandated institution. Two of my entries also managed to squeeze themselves in the recent Dionatext Kontra Depresyon contest, winning Honorable Mention (as usual). Let me print them again here:
Ng uod, kaibigan.
Unos ma’y rumagasa
At bumaha ng luha,
Palad ko’y iyong bangka.
The theme for the contest revolved on depression and how to combat and triumph against it. And the recent knock-out loss of Manny Pacquiao in the hands of his Mexican rival, Juan Manuel Marquez sure placed the entire country in manic depressive mode. So here’s something for Manny:
Dahil lang napabagsak.
Pacquiao, bilog ang bukas,
Di ring na parisukat.
By the way, I am still wondering why the organizers for the 2011 1st Annual Bicol Bloggy Awards were not able to send me my citation for the “Best Literature Blog” award. They must realize that I am entitled to it as a matter of right and they are legally obligated to send the same to me. I have demanded for it so many times, and they have in fact incurred legal delay.
This year, I still found time to attend some literary events. On January 31, 2012, my band The Super Poet Genome Project performed during the Su’pay at Aquinas University. I noticed that poetry readings must really adopt a proper program more so when it comes to the open-mic. The same must be on a first to come-first to read basis. During said event, some writers were not able to perform when the AdNU contingent arrived much later than our group but was allowed to read first. The host merely wanted the leader of the group to introduce his companions but he proceeded in hosting the ‘Ateneo Segment’ and made them read. And after said ‘segment’ they hurriedly left, leaving us there with my band in mid-performance. So much that it looked like a walk-out. After we listened to them, they did not listen to us. They left as a group so the venue was almost empty and the main host did not bother to call the other writer-readers anymore and proceeded in ending the program. In the WG, we strictly observe a first to come-first to read serve rule except for the featured writer. So that error by the organizers was so obvious for us.
I heard that they were in a hurry to go back to Naga because of some permit constraints. We understand that but the funny thing is we arrived in Naga first. They could have waited for the program to finish because it was about to end anyway. If they were planning to leave early, then they should have arrived early, and not barge in the middle of the program, perform, and leave like some wannabe rockstars. My companions were really hurt by that.
Another literary event I went into was a blogging seminar at the Central Bicol State University of Agriculture-Calabanga College of Education on Oct. 5, 2012. I was asked to discuss the use of the internet in literary practice. I made it a point to share my research on the history of publishing in the Bicol region. I also shared the use of e-mail, e-groups, message boards, web sites, blogs and social-networking in my writing activities.
Most of the WG was held at Sosimo Bar so we dubbed it as VerSosimo. We had a gig on February 21, March 4 (Anniversary Gig), March 25, and we supported the April-May Bikol Slam as organized by my writer-friend Ronel Amata. We also had a WG in June, but after it we have not scheduled a new gig as of late due to the decline in attendance.The usual reason is that they are busy. I think that a real writer is never too busy. But if busyness is the business, then so be it.
But busy or not, I was excited to attend the ANI 37 launch on November 29, 2012. Just wrote an article about it. Just read it here. We sure loved the experience and the adventure.
Happy new year everyone! Please don’t fire guns.
December 14, 2012
Getting there. This is always an issue for provincial writers who must attend a Manila literary event. Aside from schedule, budget is always a problem, and all the more made complicated by the fact that I wouldl not be attending by myself. I would be bringing a rock band with me. And we would be playing at the Cultural Center of the Philippines for the Ani 37 launch.
It was the first week of September when I received word from Ani editor Herminio Beltran that my poems were accepted for the CCP literary yearbook. Though it was not my first time, my last appearance on its pages was in Ani 34 (Spirituality and Healing) back in 2008. For said issue, I printed the poems “Elehiya” (Bikol, with Tagalog translation), “Uniberso” and “Siklo ng Laman.” I was even asked to read one of the poems during the launch which was held at the CCP Ramp. Now for this year, my Bikol poems “Opera” and “Pagsilung,” along with their Tagalog translations were chosen for Ani 37, the silver-anniversary edition, with the theme “Cleansing and Renewal.” The launching of the anthology will also mark Ani’s 25th anniversary.
All in all, Ani 37 consists of 122 selections by 66 authors of prose and poetry written in English, Filipino, Aklanon, Bikol, Chabacano, Ilokano, Iluko, Kankanaey and Pangasinan. Noted authors include: Mark Angeles, Alma Anonas-Carpio, Ronald Baytan, Herminio S. Beltran, Kristoffer Berse, April Mae M. Berza, Luis Gatmaitan, Genaro Gojo Cruz, Nestor C. Lucena, Elynia S. Mabanglo, Francis C. Macansantos, Wilhelmina S. Orozco, Christopher S. Rosales, Louie Jon A. Sanchez, E. San Juan, Ariel S. Tabag, and Santiago B. Villafania, among others.
When I informed my bandmates about the event, our then bassist muttered something like “solicitation”. We figured that a good way to provide for the transportation expenses is by solicitation. So I sent letters to government officials, academicians, and like-minded artists. Naga City Mayor John Bongat, Vice-Mayor Gabriel Bordado and Councilor Nathan Sergio responded ora mismo. Visual artist/writer/Calaguas resort manager Giovhanni Buen also obliged. Editor Hermie Beltran also requested from the CCP budget for our transpo. My bandmates were also allowed to solicit to ensure that everybody’s funds would be filled-out. But still, our bassist had to back-out the night before the trip.
Launch date was on November 29, 2012 to be held at CCP Promenade. I wanted to make the most of the trip so I gathered like-minded Bikol writers who would support the nomination of Cirilo F. Bautista for National Artist. Ateneo Literary Association (ALA), a group of young writers based in Ateneo de Naga University, went around among its ranks to gather signatures and had the nomination ready just before our night trip.
We were to stay in Cavite so we took a Bacoor-bound Philtranco bus. And since our bassist had to back-out the last minute, The Super Poet Genome Project was only me (voice and guitar) and Kevin de Quiroz (drums/beatbox). But we were making arrangements for a Manila-bassist to session for us.
Perhaps there was some road project going on at Maharlika highway so our bus took the Camarines Norte route. We noticed that we were going too fast. We were swerving left-and right like some drunk and missing trucks and other buses by inches. The driver’s daredevil antics, made us suspect that he was actually an under-employed accounting graduate who did not pass the CPA exam (He looked corporate enough. Clean cut and prim and proper). But maybe, just maybe, he was just trying to beat the long detour of that Daet route. Needless to say, we got to Imus in one piece at dawn and immediately turned to classical radio station DZFE and dozed off.
Manila siege and Ani 37 launch
First stop was Bienvenido N. Santos Creative Writing Center at De La Salle University. We met and had coffee with Director Shirley O. Lua and handed to her the duly-accomplished nomination form for Cirilo F. Bautista. Second stop was The Daily Tribune office where we got complimentary copies of the August 1, 2012 issue where the VersoSimo article got printed. We also met with Tribune’s gorgeous lifestyle section editor Dinah Ventura, who is from Albay. Third stop was Intramuros for our Manila Bulletin and Manila Times visit. Fourth stop was University of Santo Tomas. And our fifth stop was Far Eastern University where we met with writer Ariel Valeza, who is from Catanduanes.
The next day was November 29, launch-date for Ani 37. Call time for rehearsals and set up was at 1PM and program proper was at 5PM. We came in early for the soundcheck, but the technicians had to dismantle our audio set-up so we had to do it again just before the gig barring unwanted amp feedbacks and guitar gadget signal interference (which happened during our set, to our dismay). To while away our time, we checked the exhibits at the various CCP galleries. We also dropped by Tanghalang Manuel Conde (Dream Theatre) to check out the CCP World Cinema Series. On-screen was Angel Exterminador (1962) by Luis Buňuel. We went back to the Promenade at 5PM just in time for the launch.
Our band, The Super Poet Genome Project was first to go onstage. We played “Di Kami Papayag na Walang Makata sa Lipunan” and tweaked the lyrics a little just to say: “Wala nang makata sa ating lipunan/Ngunit merong tula sa Ani 37!” Believe it or yes, we were asked to play “Lupang Hinirang.” We made our rendition using the electric guitar and the beatbox, wary at all times of the NHCP (National Historical Commission of the Philippines) rules, lest we get sued for rockin’ up the National Anthem beyond recognition. After our short set came the writers. And since I am one of them, I proceeded with a reading of my Bikol poem “Pagsilung” followed by the Tagalog translation “Panonood” in the form of a poetic short film which I produced, directed and appeared in. Had my hands full that night, and as if my over-exposure was not enough, actor Michael Ian Lomongo even rendered a performance of my poem “Opera”.
The writer-performers during the launch were: Wilhelmina Orozco, Junley Lazaga, Scott Saboy, Nonon Carandang, Io Mones Jularbal, Melchor F. Cichon, Santiago B. Villafania, Mark Angeles with Jenny Logico-Cruz and Sining Tanghalan, April Mae Berza, John Enrico Torralba, Francisco A. Montesena, Vicente R. Raras, Conviron Altatis, Francis Macansantos, and Genaro Gojo Cruz with Sining Tanghalan.
Film showing of a 7-minute video documentary by Denize Manalo followed suit. It featured previous Ani editors Reuel Aguila and Malou Jacob, and current editor Herminio Beltran, talking about the inception of Ani as CCP’s literary journal. It was after-all the Silver Anniversary of Ani and an opportune time to retrace the 37 tomes that came out.
And of course the food. After getting our complimentary copies and writer/performer’s checks, we assaulted the cocktails, specially the savory chicken rice meal they prepared for the performers. The beer had to come later as writer-friends Santiago Villafania and Mimi Lacambra decided to join us to our Imus hide-out for an after-party. Literary talks about regional literature and Pangasinense wife abductions courtesy of ancient oragons came to no end until we conked out at around 4AM. And as soon as we recovered, we invaded music stores and bookstores at that super colossal, public domain defying continental mall at Roxas Blvd. which could very well be a doomsday ark.
True, we are all busy with pragmatic existence. But why divert from monobloc schedules and attend a literary arts event? Answer: Poetry is now multimedia. And how often do you get a frustrated accountant for a bus driver, National Artist nomination expedition, a gorgeous Bikolana lifestyle section editor, fetish-oriented Spanish film with no subtitles, National Anthem escapade at CCP, poetry readings with music, dance, theater and poetic short films, ancient Bikolano wife-kidnappers, complimentary copies of journals and anthologies, writers’ check, and an Ibanez Joe Satriani Signature electric guitar sold for PhP222,000.00 at discounted price in one trip? Not often enough.
November 28, 2012
Been doing patintero with Manila traffic. Kevin de Quiroz in tow, we visited Ms. Dinah Ventura (The Daily Tribune), Ms. Shirley Lua (Bienvenido Santos Creative Writing Center), Manila Times, UST and FEU.
I finally have copies of the August 1 issue of The Daily Tribune where my VerSosimo article appears. I also have copies of the Sunday Times Magazine issues where my poems appeared. Said magazine is not able to reach my locality every Sunday. I was also able to hand over to Ms. Lua the nomination letter (National Artist) for Cirilo F. Bautista by young Bikol writers, all members of Ateneo Literary Asosciation (ALA, Ateneo de Naga University). And of course, the expedition is not purely pleasure but also business. Also looked for a dormitory.
Tomorrow will be the much awaited Ani 37 launch where we will play the National Anthem and other poetry music. Incidentally, we will also play the WG anthem song entitled “Hindi Kami Papayag na Walang Makata sa Lipunan.” The lyrics goes like this:
Hindi kami papayag na walang makata sa lipunan (2x)
Di kami makakapayag.
Wala na namang tula sa Inquirer magazine (2x)
Walang tula sa’ting balita.
(Guitar Solo, repeat stanza then guitar solo till end).
November 20, 2012
Been thinking about name-calling as an element of power relations specially in the case of the Tsinoy. In the area of politics, opposing parties resort to name-calling to cut the opponent down to size instead of engaging him in a level-headed and head-on debate. And in the Philippine setting, it could even lead to disastrous consequences. One party might just decide to bring the animosity to a more physical level and resort to arms.
In political and literary theory, name-calling is seen as an articulation of power-relations. As early as the Spanish era, it was postulated that name-calling or “bansag” was a way for the subjugated to get even with the colonizers. There was even a “patood” that goes this way: “Duwang kastila/Nagboborobintana.”
The answer to that is of course mucus in a runny nose. It could be a way for the Bikolnon peasant folk to “hit back” at their Castillan hacienderos who would merely look at them from their windows while the former toiled in the farms. Name-calling is then a product of class struggle and an adversarial culture. In the realm of psychology, it could be a sign of immaturity on the part of the name-caller.
Being so, name-calling is a “no-no” in the academic setting. Aside from the aforementioned implications, it is tantamount to bullying and psychological violence. It results to animosities. It is also a hindrance to learning hence should never be resorted to by the students, and more importantly, by the teachers.
Our penal code has a provision on libel and slander, the former particularizing on written or published while the latter on oral defamation. Article 353 defines libel in general:
“Art. 353. Definition of libel. — A libel is public and malicious imputation of a crime, or of a vice or defect, real or imaginary, or any act, omission, condition, status, or circumstance tending to cause the dishonor, discredit, or contempt of a natural or juridical person, or to blacken the memory of one who is dead.“
Articles 358 and 359 provide for slander:
“Art. 358. Slander. — Oral defamation shall be punished by arresto mayor in its maximum period to prision correccional in its minimum period if it is of a serious and insulting nature; otherwise the penalty shall be arresto menor or a fine not exceeding 200 pesos.
Art. 359. Slander by deed. — The penalty of arresto mayor in its maximum period to prision correccional in its minimum period or a fine ranging from 200 to 1,000 pesos shall be imposed upon any person who shall perform any act not included and punished in this title, which shall cast dishonor, discredit or contempt upon another person. If said act is not of a serious nature, the penalty shall be arresto menor or a fine not exceeding 200 pesos.”
Likewise, the Civil Code has a provision on the matter:
“Art. 26. Every person shall respect the dignity, personality, privacy and peace of mind of his neighbors and other persons. The following and similar acts, though they may not constitute a criminal offense, shall produce a cause of action for damages, prevention and other relief:
(1) Prying into the privacy of another’s residence:
(2) Meddling with or disturbing the private life or family relations of another;
(3) Intriguing to cause another to be alienated from his friends;
(4) Vexing or humiliating another on account of his religious beliefs, lowly station in life, place of birth, physical defect, or other personal condition.“
And under Article 33 of the Civil Code cases of defamation can be subject of an independent civil action (from the criminal case):
“Art. 33. In cases of defamation, fraud, and physical injuries a civil action for damages, entirely separate and distinct from the criminal action, may be brought by the injured party. Such civil action shall proceed independently of the criminal prosecution, and shall require only a preponderance of evidence.”
Name-calling could fall under the purview of the above provisions and could be subject of a criminal and civil case. And under Art. 26 of the Civil Code, it falls within the purview of the fourth provision on vexing or humiliating on account of other personal condition, and could be a ground for damages, particularly moral damages and exemplary damages. Surely, name-calling could result to “mental anguish.” And said civil action could be proceeded with independent of the criminal case.
So how does name-calling affect Tsinoys? For instance, the teacher keeps on twisting the Chinese-sounding name of the student to make it sound ridiculous. It could humiliate the student for in our culture, one’s family name must be defended by all means being something we inherited from our forefathers. It could also have repercussions on racism. And as we said name-calling is merely a manifestation of power-relations which can be traced back to history.
November 18, 2012
Nothing compares to a lazy Sunday with Dad. He visits rarely but we make sure it’s always quality time. I would leave my desk and prioritize our bonding spiced up by war and crime films, plus coffee and bread. Today we had “Unknown,” a 2011 film starring Liam Neeson. It’s an identity theft film with a twist. It also has a take on the conspiracy theory issues involving genetically modified crops.
Just weeks ago, a group of Bicol-based farmers trooped to the DAR office here to protest the entry of the so-called “Golden Rice” in the regional market. The farmers are alleging that it has irreversible repercussions once it gets mixed with the natural breed of rice. I do hope we are not being served “Golden Rice” without us knowing it.
Meanwhile, the Tarusan Bloc Poetry Class had a successful first session last week, November 11. I did a lecture on “Intro to Poetics” using my book “Pagsasatubuanan” as entry point. Later, we discussed poems. We examined the modernist technique of imagism. William Carlos Williams came to mind. We concluded that one pitfall of the imagist technique is too much internalization on the part of the poetic voice that there is no more room of the reader or audience. We thought that there must be balance. The atmosphere was participatory. I only led the discourse. Soon we will have the second session.
The ANI 37 launching is fast approaching! Time flies. And yes, we are still soliciting money as counterpart-budget for our transportation expenses. It’s of course for our band, The Super Poet Genome Project. My bandmates are also going around trying to solicit from supportive entities. Thanks to all those who have been supportive specially Naga City Mayor John Bongat, Vice-Mayor Gabriel Bordado and artist Giovhanni Buen. I pray that soon, we won’t have to be doing this anymore. We will have a regular source for our budget requirement.